Filmmaker Magazine -
21 Jan 2022 23:00

In Phyllis Nagy’s directorial debut Call Jane, Joy’s pregnancy leads to a life-threatening condition. When the medical establishment refuses to help, Joy turns to a clandestine organization called the “Janes” that is based on the real-life Jane Collective. The period piece is heavy on sequence shots, which both posed challenges and enabled the creativity of DP Greta Zozula, who discusses the film below. Filmmaker: How and why did you wind up being the cinematographer of your film? Zozula...
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